Perhaps there are hundreds, even thousands of weavers out there who design their cloth directly in the raddle, the first step in warping the loom from back to front. I have never met anyone who approaches textile design in this manner, and I don't know exactly how I came upon this method. In this particular piece, I wound the warp in 26 narrow chains (without knowing in what order I would be lining up the chains). Winding the warp onto the warp beam becomes a thrilling process--like opening a present.
Wow! It's going to look really Guatemalan. I had no idea.
The above picture shows one of my little weaving quirks--dropping the warp to the ground. By putting the warp through a raddle first, I can fan out the warp to get a preview. If I don't like the color placement or if I want to add a section or two, it is not very difficult to make those changes--nothing to unwind and nothing to unthread
2 comments:
I like this idea, especially dropping it to the floor and getting a nice preview. So how do you tension this as it's going on?
I've tried designing in the raddle but I was stretching threads from one end to the other. I like your idea of using narrow chains of various widths. I'll have to try it - I'm sure it would go much smoother. Good idea about dropping the warp too.
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