A Good Picture is Worth 1000.......

One of the delightful, amazing and eye-catching pieces in Sandra's studio, is her transforming an old family photo into a weaving. Sandra took me through the whole process.

This is a close-up look at the satin-weave structure (and Sandra as a little girl)


One of the things about looking at other weavers' work is that I say to myself "I could weave that!" This is certainly not true looking at Sandra's work. What I did say is, "Oh, you must weave one for me!"

Now I am in the process of going through my old family photos seeking the perfect picture for Sandra to make into a weaving for me.

Here are some other nature studies
And a lovely scene in progress although if you go over the Sandra's blog, she is probably finished it by now.

Thanks again, Sandra, for providing a most delightful and inspiring afternoon!

But what about the Intentional Design Workshop, you might ask? Coming soon! I will try for tomorrow, but sometimes time gets away from me.

Well, Really the Day After Tomorrow

I was hoping to put up part 2 of my visit to Sandra Rude's studio, but life has temporarily intervened. I have so much to post.....

Visit to a Consummate Complex Weaver

Following the presentation at the Central Coast Weavers, Sandra Rude whisked me away for an exciting visit to her studio.

It was amazing to see the marriage of computer, loom, and cloth so elegantly orchestrated by Sandra.

Although I rarely dabble in any weave structure more complicated than a simple twill, I have a deep appreciation for the ultimate in complex weaving done on a Jacquard Loom.

Many people don't realize that the computer of today had it roots in the industrial revolution in the form of a huge incredibly noisy Jacquard Loom. Click to see an old Jacquard in action.


Mind-boggling, yes!
Boys and girls, you may not want to try this at home.

Because I have yet to figure out how to upload more than 5 pictures per post, (and I have tried all the suggestions folks have offered) come back tomorrow to see the amazing things that Sandra weaves on her loom. If you can't wait, then check out her blog.

Hello from the Central Coast Weavers

Of course, now I am back in Montana after an amazing visit to the Central Coast Weavers. I don't usually like to back-track, but this guild has much to share. If you click on their link, the first thing you see is this:

Guild Motto: Friendship is the shining path we weave

Perhaps all guilds have a motto, but this is the first one that I heard more than one guild member say to me. (and I got to see it in action as well as experience it fully during my all too short stay). If you belong to a guild that is struggling, study CCW's model. Their membership has grown considerably since the last time I was there. I came away with a deep sense of gratitude and a feeling of optimism about the future of Handweaving .

I finally have moved into the 21st century with my first power point presentation. In addition to bringing my laptop, I brought a copy of the presentation on a disk and a thumb drive. I did this because I had yet to see a power point presentation where everything worked right off the bat---except for this one (grin)

My new lecture and workshop, INTENTIONAL DESIGN, focuses more on the meaning one weaves into cloth rather than trying to figure out what the finished cloth will look like.

Many non professional weavers tell me they are not creative. I believe creativity is like a muscle that must be exercised in order to become stronger. I provide a gentle creativity workout for all levels of creative fitness.

More to follow!

Meanwhile on the Other Side of Town

I took a little break from getting ready to teach a workshop in California to co-teach a little kumihimo braiding workshop to my guild, Missoula Weavers Guild.

Imagine being able to re-create amazingly complex braids with a little square of Masonite.

Although we looked at many wonderful reference books, the main source of inspiration comes from Roderick Owen's book, Braids, 250 Patterns from Japan, Peru and Beyond.

The process was just complex enough to keep everyone engaged and easy enough to be lots of fun.

No time to thread the loom today or to pack, but tomorrow is another day.

Going on the Loom

I like to divide the process of setting up the loom into several small steps. (especially since I am teaching a Kumihimo workshop tomorrow for the Missoula Weavers Guild.)

I do love the step below. It is the first time I get to see what the warp looks like.

Chenille, My Old Friend

Here I am having taught 2 workshop already this year, about to teach one this weekend (all 3 local), and preparing to head down to San Luis Obispo to teach a new (in name and focus) workshop called INTENTIONAL DESIGN. I will talk more about this in another post, but one of the things I like to do before a workshop is to wind a warp and set up my loom while I focus on the upcoming workshop.

There are 18 students in SLO winding warps and setting up their looms as I write. They will arrive at the workshop ready to weave.



I thought the least I could do was to share their experience.


In the spirit of "multitasking, I decided to get started on a commission---a Color Horoscope Weaving in Rayon Chenille. For some reason, I started wearing my own Chenille Horoscope Weaving around town. I wove this piece about 15 years ago. It is sooo 20th century (grin). But to my amazement, folks in Missoula are crazy for chenille.


Another surprising fact about chenille is that my 15 year old shawl (which I have treated rather badly to see how it would hold up) looks brand new! In fact, I have it draped over my shoulders as I write.


Because of the thickness of the chenille, I have to wind the warp in 4 sections (pictured above). So to Patty (whose shawl this will become) and the Weavers Guild of San Luis Obispo (who are winding and threading), I dedicate my latest weaving efforts.